(By Brendan Burns of Wasted Theory, Guest Columnist, RiffRelevant.com)
For as long as I can remember, it’s always been about the guitar player or the lead singer. That lethal concoction of singers and axe-swingers like Page and Plant. Mick and Keith, Tyler and Perry, Daltry and Townsend, the list goes on and on…
But what about the drummer? You know, that blurry guy that you sorta see in the photos behind the singer or bass player… yea, that guy. Well, as a longtime drummer, I decided I wanted to start shedding some more light on some of the drummers in the “Stoner Rock Realm” that I look up to, or just flat-out love watching perform.
My name is Brendan Burns, and for those of you that I have not met yet, I am the drummer of the stoner rock band Wasted Theory, and I would like to present to you my segment here on Riff Relevant…
“FOUR ON THE FLOOR” – THE DRUMMER’S SPOTLIGHT!
Brian Costantino knows a thing or two about stoner rock and doom metal. For years, this powerhouse drummer and resident skinsman for doom legends The Obsessed has built a solid foundation for frontman Scott “Wino” Weinrich since his days with The Hidden Hand. His most recent work with The Obsessed on their latest album “Sacred” (read Riff Relevant article here) demonstrates what a lot of drummers within the stoner rock genre fail to achieve… versatility.
Each one of the songs on ‘Sacred‘ gives out a totally different vibe for the listener. A chore not so easily attained, especially within the doom metal sound. This type of drummer is near and dear to my heart and I’m truly honored that I was able to sit down with Brian (via email anyways) and have him share a few of his thoughts on his gear, his influences and his drumming. Hope you dig!
BRENDAN: Give us a quick rundown of your current live gear set-up.
- – Ludwig Rocker II purchased in 1988.
- – 14” Rack tom 16” & 18” Floor toms 24” X 20” 10 ply (Home made Bass drum)
- – Zildjian 14” K Hit Hats, 19” & 20” K Dark crashes, 22” Ping ride.
- – Have three other sets, but this one just sounds the heaviest.
BRENDAN: When was the exact moment you realized you wanted to play the drums? Who was your primary influence at that moment?
BRIAN: Back in the early 80’s, I grew up a block from Ed Gulli, The Obsessed drummer on the S/T Purple album, and we were good friends. When he started playing for them, he asked me to tech for him… which was odd, because I didn’t know how to play drums, much less how to set them up.
He said “no big deal I’ll teach you”, so he gave me the basics and it went from there. I still really didn’t play then, but he had given me enough knowledge to learn, so I bought a kit and practiced like crazy. Never took lessons, so just went off the things he had told me and worked at it.
Would have to say at the time, Ed was my primary influence.
BRENDAN: Which one of your songs best exemplifies you as a drummer?
BRIAN: That’s a tough question. Hard to say. On the latest Obsessed release it would have to be ‘On So Long‘. It is one of those songs with a lot of tempo changes and dynamics. I’ve played in a lot of different style bands, from blues to Speed Metal, which helped a lot in that aspect.
BRENDAN: Is there specific gear you prefer to use in the studio that would be different from your live set up?
BRIAN: No. I love my Ludwigs I’m playing now and know the sound I can get from them.
BRENDAN: Any type of pre-show warm up rituals?
BRIAN: Not too much. I like to find a place away from a lot of people, go over the set in my head and warm up just before we go on.
BRENDAN: How do you keep things interesting every night while playing the same set night after night on tour?
BRIAN: First of all, you have to love the music you are playing. The Obsessed personally is my all-time favorite band, so that makes it easy to get stoked about going on, knowing I get to play Wino’s songs every night.
BRENDAN: What do you think gives your playing its signature sound?
BRIAN: Not sure, maybe it’s the fact that I haven’t taken a lesson and I just play what I feel and let it go.
BRENDAN: Any brand loyalty? Are you partial to one drum company over another? Any current sponsorships or your own signature gear?
BRIAN: Like I said I love Ludwig drums. I own a Pearl and a Tama set, but they just don’t seem to match it, so yeah Ludwig I’d say.
I do have a stick endorsement with Peridore Custom Sticks. I was turned onto them by Henry Vasquez of St Vitus, and I have to say they are the most durable sticks I have ever played and the feel is killer. I would recommend them to any drummer.
BRENDAN: What’s the most important piece of equipment currently in your live set up?
BRIAN: I’d say my bass drum. It was built by my brother, Pat Tinney, and the sound of it – mic’d or not – is incredible.
BRENDAN: What do you enjoy doing outside of music, that you feel ultimately contributes to your musicality? For example, a hobby that you turn to in order to stimulate your creativity.
BRIAN: I learned how to do Stained Glass a couple of years ago, so when I get the time, I love doing that. Put a set of headphones on turn them up and roll.
BRENDAN: Are there any newly emerging artists that are currently influencing you?
BRIAN: Not really at this point. Between learning and playing the stuff from Wino’s catalog and working on new tunes, really don’t have time for it.
BRENDAN: If you could give one piece of advice to an up and coming drummer what would it be?
BRIAN: I’d say the obvious is practice as much as possible. Even an hour a day, and don’t feel like you can’t improve, because you always can. Watch other drummers. I do that every night on tour to study their technique.
BRENDAN: One last question… Bonham or Moon?
BRIAN: Bonham for sure.
Stay sharp… more Drummers are throwing Four On The Floor with Brendan soon…
Want to hear more about Brendan Burns and Wasted Theory? Check our previous Riff Relevant articles about them to read up!