Article By: Pat ‘Riot’ Whitaker, Senior Writer/Journalist ‡ Edited By: Leanne Ridgeway, Owner/Chief Editor
Lucifer is on the loose in London during the mid-to-late Seventies… but not the little red, horned, cloven-hoofed caricature most envision at the mention of the name.
No, this Lucifer is a band comprised of guitarist and vocalist Kevin Heybourne, guitarist Rob Downing, drummer Steve Jones, and bassist Barry Clements, but one that soon disbands. Jones joins up with Bruce Dickinson and they form the band Speed, while two of the three left remaining, Kevin Heybourne and Rob Downing, unite with bassist Kevin “Skids” Riddles and drummer Dave Hogg in the newly christened ANGEL WITCH.
Downing won’t be there long, though. He soon exits after the name change, thus the band remain a trio for the time being. The year is 1977 and the heavy metal movement is well underway around the globe, but the three players within ANGEL WITCH are on the verge of helping to kick-start something altogether new. Exploring ever heavier musical elements, while instilling melodic nuances and healthy amounts of speed-driven playing, the trio independently issue a pair of back-to-back demos, ‘1978 Demo‘ and ‘Demo 1979‘. “Baphomet“, a song from the first demo, garners attention for the band after it is included on a sampler type compilation from EMI Records, ‘Metal For Muthas‘ in 1980.
Alongside acts like Iron Maiden, Praying Mantis, Sledgehammer, and Samson, the compilation gathers several of the top bands from what is being called the New Wave Of British Heavy Metal, or NWOBHM for short. EMI signs ANGEL WITCH at this time, but the deal is soon canceled due to band manager Ken Heybourne refusing to hand them over to the professional management the label insists upon. The band does manage to get ‘Sweet Danger‘, a three-song EP, recorded and released through the label during their brief time with them.
The EP’s title track lands on the U.K. music charts, where it spends a single week at No. 75 (the lowest position in the charts), ultimately acquiring them a listing in The Guinness Book Of World Records as the “least successful chart act of all time” (this is repeated by fellow NWOBHM group Grand Prix in 1983, with their ‘Keep On Believing’ 7″). Still, all is not lost nor wasted, as ANGEL WITCH sign with the label Bronze Records, working with producer Martin Smith to record and release their self-titled début album in 1980.
Despite the phenomenal first official full-length outing, ANGEL WITCH are a band in turmoil all during the period of its recording. Subsequent to its release, Dave Hogg is fired from the band, while Kevin Riddles leaves to join the band Tytan. Using other musicians, Kevin Heybourne tries to keep ANGEL WITCH going for a bit, but grows disillusioned. Eventually, he announces the end of the band in 1981, and joins another English band active at the time, Deep Machine.
The cessation of ANGEL WITCH is short-lived, as Heybourne reactivates it in 1982, with Deep Machine members Roger Marsden (vocals) and Ricky Bruce (drummer), as well as a new bassist, Jerry Cunningham. This would be a very brief incarnation though, as Marsden’s voice did not mesh well with the music of ANGEL WITCH and Heybourne soon resumes handling lead vocals. The band is an on again, off again entity for the next few years, with Heybourne joining another band, Blind Fury (previously Satan), as their guitarist in 1983. During this seesaw of ups and downs for ANGEL WITCH, they do record two demos, ‘Give It Some Tickle‘ and ‘Demo #3‘, and release two singles – 1981’s “Loser” and 1985’s “Goodbye“.
In 1984, an official announcement of the return of ANGEL WITCH is declared, a version of the band that sees Kevin Heybourne patching things up with drummer Dave Hogg. The pair, along with ex-Marquis De Sade bassist Peter Gordelier and singer Dave Tattum, record and release ‘Screamin’ ‘N Bleedin” through Killerwatt Records in 1985. It soon seems like old times once again, as before long Dave Hogg is sacked and replaced by drummer Spencer Hollman.
ANGEL WITCH do not waste any time when it comes to recording and putting out album number three, 1986’s ‘Frontal Assault‘, the follow-up to ‘Screamin’ ‘N Bleedin’. By fan’s perspectives, this record is a drastic departure from the musical styling of the two previous records, one containing more melodic qualities. As is a seeming tradition by this time, singer Dave Tattum is let go sometime after that album’s release and ANGEL WITCH go forward as a trio once again.
As the next decade looms for the band, Heybourne decides that the United States is the land of opportunity for ANGEL WITCH and shares his plan to move stateside. The other members have no way of accomplishing this, having stable lives in their home country, but the move occurs and an American version of the band soon manifests. Joining Heybourne in it are a veritable Who’s Who of players from the Bay Area of California – bassist Jon Torres (R.I.P.; Lȧȧz Rockit, The Lord Weird Slough Feg, Warning S.F., Ulysses Siren), drummer Tom Hunting (Exodus, Piranha, Wardance, IR8) and guitarist Doug Piercy (Blind Illusion, Heathen, Anvil Chorus).
1990 delivers a live album release from Metal Blade Records, the simply titled ‘Live‘ was recorded (guess!) live in Los Angeles. Interestingly, Metallica drummer Lars Ulrich can be spotted in the audience within the live photos on the back cover and insert of the album (with time revealing Metallica to be reverent fans and vocal supporters of ANGEL WITCH). After just a handful of performances, by all accounts this version of ANGEL WITCH functions well and with the musicians’ name recognition, there is a high demand to see them live. They have booked a series of shows across the U.S., when one day before the band is to embark upon this tour, Heybourne is arrested in relation to some pending issues regarding his immigration to America. Bound up in legal red tape now, time begins to pass and with Kevin unable to hands-on guide the band, ANGEL WITCH soon loses its momentum for the time being.
Over the next decade-plus, demos (‘Resurrection‘), live recordings (”82 Revisited‘, ‘2000: Live at The LA2‘), splits (‘British Steel: Heavyweights Of Metal Live & Loud‘), and compilations (‘Sinister History‘) come to surface.
In 2011, ANGEL WITCH, with Kevin Heybourne on guitar and vocals, Will Palmer on bass, and Andy Prestidge on drums, went into the studio with producer Jaime Gomez Arellano (Cathedral, Ghost, Paradise Lost) and guitarist Bill Steer (Carcass, Firebird). What resulted was a true return to their roots, the band’s first new album in 26 years (though some songs were originally older compositions) – 2012’s ‘As Above So Below‘, released via Rise Above Records (Metal Blade in the U.S.).
ANGEL WITCH have remained active since that album’s release, regularly touring and playing festivals around the world, like the upcoming dates listed below. With over four decades of music and history under their belts, ANGEL WITCH have achieved a legendary status the likes of which very few bands ever know. As pioneers of NWOBHM, and a highly influential act to the metal, proto-metal, and doom genres, ANGEL WITCH continue to spread the leathery wings of heavy music in the contemporary version of the band: Kevin Heybourne (guitar and vocals), Will Palmer (bass), Jimmy Martin (guitar), and drummer Fredrik Jansson (ex-Witchcraft).
– ANGEL WITCH 2019 Live Dates –
Jun. 14-15: Fuengirola, ES @ Marenostrum Music Castle Park – Rock The Coast Fest [info]
Jul. 10-14: Fredericia, DE @ Dronningepladsen – Metal Magic Fest XII [info]
Jul. 18-21: Crispendorf, DK @ Ferienland – Chaos Descends Fest [info]
Oct. 31: Hamburg, DE @ Knust – Heavy Hamburg Halloween II [info]